"Moving objects" Who moves whom? Who moves what?

Authors

Keywords:

figuration, object, body, decreation, collective creation, performative practices, play

Abstract

Moving objects is a performative practice that I have been developing for four years in different contexts. Through a simple proposal (or action score), participants move objects that were already in a space. In silence, the landscape changes and the action of moving objects reverses its logic: who moves whom? The gesture ceases to be utilitarian and becomes the result of listening and deciding; it becomes the primary gesture of creation and, invoking Simone Weil’s concept, of decreation.

No mere body as an object, nor mere figuration of the object. Moving objects calls into question the relationships between objects and bodies, between figuration and abstraction, eroding these dichotomies, revealing relations of continuity, contagion, mimicry, absorption and chiasm between bodies and objects. In this intertwining and blurring of body and object positions, a performative critique of the categories of subject and object as well as the very structure of representation becomes apparent.

In this lecture I propose to reflect on certain events that have taken place in the unfolding of this practice (a practice that may find parallels with the spontaneous practices of social and political protest, as well as with playing, or certain rituals), which highlight transfigurative relationships between bodies and objects, potentials for transformation of the common space and its collective meaning and that allow critical ex-ploration of dialectics between what we look at and what looks at us, what we touch and what touches us, what we move and what moves us.

Author Biography

Constanza Brnčić, CSD, Institut del Teatre de Barcelona. Universitat de Barcelona (UB).

Constanza Brnčić is a dancer, choreographer and director. Bachelor’s Degree holder in Philosophy and Master’s Degree holder in Contemporary Thought and Classical Tradition from the Universitat de Barcelona (UB). PhD candidate in the UB doctoral programme Contemporary Philosophy and Classical Tradition, with research on Merleau-Ponty’s philosophy, Language and Otherness in Merleau-Ponty. Professor of Composition and Improvisation at the Higher School of Dance of the Institut del Teatre in Barcelona, head of speciality in the Department of Choreography at the Higher School of Dance of the Institut del Teatre in Barcelona, and guest professor at the Higher School of Dramatic Art (ESAD).

Published

17-02-2020