Some Issues Concerning Fabià Puigserver’s Relationship with Poland

Authors

  • Ivan Garcia Sala Universitat de Barcelona

Keywords:

Fabià Puigserver, Polish theatre, Catalan set design, Polish set design, Leokadia Bielska-Tworkowska, Jerzy Grotowski, Eugenio Barba, Fira de Barcelona

Abstract

When speaking of Fabià Puigserver’s life and artistic career, we inevitably refer to his experience and training as a set designer in Poland, where he lived and studied between 1951 and 1959. According to his biographies, he did not return until 1966; from that year, he maintained regular professional and personal contact with his adoptive country. However, despite the importance that all academics and acquaintances of Puigserver attach to the early Polish period, the published information is still quite general. The objective of this article is to provide more data about the 1951-1959 period based on the documentation found in archives and interviews with those who knew him, as well as to clarify certain issues concerning Poland and Puigserver after his return to Catalonia between 1959 and 1966.

Author Biography

Ivan Garcia Sala, Universitat de Barcelona

Degree in Slavic Philology (1999) and PhD from the Universitat de Barcelona (2004). He has worked in the Slavic Philology Department of the Universitat de Barcelona since the 2001-2002 academic year. He has taught Russian language and literature classes as well as the history of Russian and Polish theatre. His research interests focus on the reception of Russian literature and culture in Spain and Catalonia, and on the study and reception of Russian and Polish theatre.

Published

17-02-2020